FYXATION – COMET TRACK DROP BAR

What is fyxation? Good question!

The answer to this question does not include a series of sob stories designed to prove our street cred and velo pedigree. We could have gone into a long story about how our founder started fyxation after spending his life in the saddle; from ghost riding his Huffy with the banana seat down the hills of a small town, to ending up with more Titanium hardware in his foot than a 747 after a 360 gone wrong, but we’ll spare you such dribble.

fyxation was founded with a simple goal in mind. To bring urban riders pioneering components made from the best materials at a fair price. We focus on design, durability and style. We are a team of cycling addicts that have years of industry experience and have been passionate about riding from the time our training wheel came off- to tonight’s beer run.

Enough about us; get out and ride!

http://www.fyxation.com/

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Author : Valentina Matelli

THE GREEN CITY PROJECT – Malmö

What once was a decaying industrial area today presents itself as an exciting and sustainable urban environment with a bright future.
From a shipyard and industrial site, the Western Harbor project in the southern city of Malmö is being turned in a green residential area based on 100% use of renewable energy, where at the moment live around 4.000 and in less than 20 years it will house 30.000 residents.
Houses totally built with green concepts, solar cells on the roof, energy generated by offshore wind turbines, a waste management program starting from residents that recycles or transform in energy all the waste produced; this is the way how this area works. Bicycles and pedestrian have the priority, Western Harbor has virtually no cars, in fact most residents park their vehicles outside the area and the rest of the city of Malmö can be easily reached by local public transportation operated with biogas busses.

If is true that residents of lower emitting cities report higher level of happiness, the Western Harbor of Malmö is for sure a good place to live.

Author : Mario Alfiero

SERGIO CABALLERO: LA DISTANCIA

We already wrote about Sergio Caballero here. Now the visual director of the Sònar Festival is back with a new film: La distancia. The teaser is the official image of the upcoming Sònar Festival.

The film narrates the story of a robbery that takes place in a Siberian power plant and  it totally reflects Caballero’s  imaginary and  visual style in the perfect combination of images and sound.  

So be ready to enjoy this  mysterious journey in the Siberian land…

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Author : Federica Mascagni

NRM ARCHITECTS : SAKAI

“This residence is a two-household house for family which consists of husband,wife, one child, and its grandfather. It was arranged shared bathroom and lavatory between a child household and a parent household. In order to consider so that a good distance can be maintained between each household, the main flow line is divided.The high side window of the north side witch is an accent of facade leads a soft light indoors in contrast with the window of a courtyard on the south.”

- NRM ARCHITECTS -

view more on NRM ARCHITECTS SITE

Author : Francesca Querci

DROKK by Geoff Barrow and Ben Salisbury

The new project of Geoff Barrow [Portishead] in collaboration with Ben Salisbury, an english contemporary composer and producer of Horrors, Coral, Anika, etc. DROKK sounds like a soundtrack because the music has been inspired by Mega-city-one (subtitle), an imaginary city described in the popular comic book series “Judge Dredd”.

Sounds like: J.Carpenter/Tangerine Dream/J.Jarre/Kraftwerk.

Author : Mark-eno

GROW UP AND BLOW AWAY: GIUSEPPE BRAGA

The Big Lebowsky, J. e N. Coen (laziness is necessary, even on a trip)

Air bubble (childish endless lightness, the usefulness of unessential)

Blue BIC (don’t let ideas run away!)

Toilet Paper (you can use it with fantasy in several ways)

Compagni di sbronze, C. Bukowski (a couple of pages, before sleep)

Banana (cause of a sudden drop in the body’s blood sugar level..the midmorning snack)

Tee (or a statement plan?)

Hat (to keep my ideas warm )

Achtung Baby, U2 (every artist is a cannibal, every poet is a thief…)

Comfortable shoes (there’s always a road to pass through, everywhere we are, everywhere we go)

My blog is in here :  “Piani Alti, cultura bassa”

Author : Redazione

UNSUNG HEROES

 

As he stared in amusement at my camera, his facial contours expressed confusion similar to that of an Indian waiter in an American-Thai restaurant.  The empathetic encounter with this ordinary man gave me a chance to envision a new perception of reality. It is casual to skip him as just another random person on Indian street but deep down their lied an extra-ordinary talent in him, which allowed him to stand out.

A nation of a billion plus people, all of which will be born again about an average rate of one and half percent and produce engineers, mathematicians or physicians of highest caliber and out of them there is someone who will even win a noble prize. At the same time, thought of the literacy rate which is still a long way from the average in the developed nations of the west, is an amusement for me.

The same perception of above also makes me wonder the fate of the unrecognized talent, going to sheer waste, in some niches of this vast country.

 

 

Author : Chintan Punjabi

DODGE CHALLENGER R/T 1970

Dodge was the last one to the pony car party, but it spent its time wisely, perfecting its entry, the Challenger. The Challenger debuted with an engine lineup that ranged from a docile slant six to the powerful 440 Six Barrel and the awesome 426 Hemi. Other pony cars could only dream of a line up like that.

The Dodge Challenger was based on the Plymouth Barracuda platform, but its wheelbase was stretched by two inches to provide more interior room. The Challenger was offered in both hardtop and convertible versions. Performance versions wore the R/T (Road/Track) badge and either the base or R/T model could be ordered with the SE luxury package. The SE package included leather seats and a vinyl roof with a smaller “formal” rear window. Challenger R/T’s came standard with the 335 bhp 383 engine. Optional were two 440 engines, the four-barrel Magnum with 375 bhp and the tri-carb Six Pack with 390 bhp (chosen by 2,035 buyers). Topping the list was the almighty 426 Hemi with 425 bhp (chosen by 356 buyers). The Hemi cost an additional $1,228 and required heavy-duty equipment. The 440s and the Hemi came standard with TorqueFlite automatic. Optional was a four speed manual which included a pistol-grip Hurst shifter and a Dana 60 axle. Gear axles climed from 3.23:1 to 4.10:1, with limited slip as an option. All R/Ts received a heavy duty suspension and the 440s and Hemi received 15 inch 60 series tires, although essentials such as power steering and front disc brakes were still optional. The R/T’s standard hood had two hood scoops, but they did not feed directly into the air cleaner. For just $97, the buyer could specify the shaker scoop, which mounted to the air cleaner and stuck up through an opening in the hood. It was known as the “shaker” as it vibrated along with the engine. Some faults of the Challenger included poor outward visibility and it feeling too bulky for its size.

But Dodge had one more trick up its sleeze. In order to race in the Sports Car Club of America’s Trans American Sedan Championship, it built a street version of its race car (just like Plymouth with its Plymouth ‘Cuda AAR) which it called the Dodge Challenger T/A (Trans Am). Although the race cars ran a destroked version of the 340, street versions took the 340 and added a trio of two-barrel carbs atop an Edelbrock aluminum intake manifold, creating the 340 Six Pack. Dodge rated at the 340 Six Pack at the same 290 bhp rating as the original 340 engine (and mysteriously the same rating as the Camaro Z/28 and Ford Boss 302 Mustang), it actually made about 350 bhp. It breathed air through a suitcase sized air scoop molded into the pinned down, lift off matte-black fiberglass hood. Low-restriction dual exhausts ran to the stock muffler location under the trunk, then reversed direction to exit in chrome tipped “megaphone” outlets in front of the rear wheels. TorqueFlite automatic or Hurst-shifted four-speed transmission, 3.55:1 or 3.90:1 gears, manual or power steering were available. Front disc brakes were standard. The special Rallye suspension used heavy duty parts and increased the camber of the rear springs. The T/A was among the first production vehicles to use different size tires front and rear: E60x15 fronts, and G60x15 in back. The modified camber elevated the tail enough to clear the rear rubber and its side exhaust outlets, thick side stripes, bold ID graphics, and a ducktail spoiler added to the street punk image. The interior was strictly stock Challenger. Unfortunately, the race Challenger T/A wasn’t very competitive and the street version suffered from severe understeer in fast corners. But it could turn mid 14s in the quarter mile which would do any small block muscle car proud. The T/A would only be available for 1970 as Dodge would pull out of Trans Am racing.

 

 

Author : Valentina Matelli

WORLD PRESS PHOTO 2012

2012 World Press Photo

Until June 3 you could go round Galleria Carla Sozzani in Milan, which presents the prizewinning images of the World Press Photo 2012.
(Opening hours and location here: http://www.galleriacarlasozzani.org/#/location/)

World Press Photo Contest is one of the most important prizes for photojournalism: it is a unique occasion to review and discover the most beautiful and significant images that have documented and illustrated facts and events on international magazines and newspapers. It is a historic document that let the viewer go through crucial moments of our times.

Every year since 1955, an independent jury of experts, chosen among renewed international personalities, is called to express itself on thousands photos that are submitted to World Press Photo Foundation in Amsterdam by photojournalists, agencies, magazines and newspapers.

The winning photo this year is by Samuel Aranda from Spain. The picture shows a woman holding a wounded relative in her arms, inside a mosque used as a field hospital by demonstrators against the rule of President Ali Abdullah Saleh, during clashes in Sanaa, Yemen on 15 October 2011. Samuel Aranda was working in Yemen on assignment for The New York Times.

The photo shows a poignant, compassionate moment, the human consequence of an enormous event that is still going on. Together, this woman and her injured relative become a living image of the courage of ordinary people that helped create an important chapter in the history of the Middle East.

http://www.worldpressphoto.org/

Author : Chiara Cremaschi

RED HOOK CRITERIUM

The Red Hook Criterium (RHC) is an unsanctioned race held at night featuring a fixed gear criterium and a 5km running race held over multiple laps of a short technical circuit. The field consists of elite athletes, track stars, amateur runners, professional cyclists, bike messengers, and urban cyclists. The RHC was born in the post-industrial Brooklyn neighborhood Red Hook. This unique event combines the underground art of street racing with the intensity of high level competition in a spectacular urban environment.

First held in 2008 to celebrate organizer David Trimble’s birthday, the RHC has established itself as a prestigious and much loved event in both the local community and greater athletic world. This fast, intense, and spectator friendly race is the pinnacle of a weekend of events that includes dinners, art exhibitions, parties, and group bicycle rides and runs.

http://redhookcrit.com/

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Author : Valentina Matelli

SUGGESTED BY OLIVIA : WANDA PHIPPS

Morning Poem #40
pink around a
circle of pink
around a shimmer
of found reason
pink around a
glimmering white
shaked around
a sound blue
somehow in the
touch of green
looped inside
loops abound
a bound ribbon
a hope bow bows
in a rare season

Author : Olivia Lewit

MARIE CHRISTINE VOLTERRANI

I met up with the architect and designer, Marie Christine Volterrani, during the Salone del Mobile  in Milan.  I was visiting Milanosiautoproduce, a huge exposition curated by Cesare Castelli in the “Cathedral of the Steam Factory”.

1.  Marie Christine, you were born in Milan in 1971 and your origins are an intriguing mix of French and Italian.  When did you start designing?

After getting my degree in Architecture at the Politecnico di Milano in 1998, I went through a very eclectic period; I wanted to collect the largest possible number of experiences in order to feed all of my passions.  Later, in 2006, I opened my studio, Lo Spaziomistral (www.spaziomistral.it).  Its mission is the creation and development of new concepts of restoration, restyling and reconstruction for commercial, exhibition and private spaces  However, Spaziomistral is also a place where real products are created.  I restyle “forgotten” objects, make lamps using LED technology, and elaborate underwater images to be used as projected backdrops.

2.  So do you “house” other designers, like a gallery, or is this just a different way of exhibiting?

Within the Spaziomistral Studio, I have architects, artists, decorators, designers, or just people, in constant rotation.  With them I study the forms of  objects..  We have a store window on the street and there we put our transformations “on the market”.  It’s a way to open up  new emotional and intellectual energy.  My work is about the continuous growth of understanding and Spaziomistral is my workshop.

3. Is there any person or event which has changed your vision?

I have been able to work with many diverse architects since I emerged from the “utopia” of my studies, but the one who freed my mind is Alessandro Mendini.  I worked at the Atelier Mendini in 1998/99, getting hands-on experience with various projects, from urban planning to industrial design.  There I learned to respect the technical and practical aspects of my work as an architect, but also how to defend an idea which others doubt.

www.spaziomistral.it
www.smartled.it

STUDIOMISTRAL – SPAZIOMISTRAL
Via Tadino cinque – Milano 20124

Author : Gianni Romano

YOU ARE

Author : Redazione

AN OASIS OF PEACE

“I do not want my house to be walled in on all sides and my windows to be stuffed. I want the cultures of all the lands to be blown about my house as freely as possible. But I refuse to be blown off my feet by any.” – M.K. Gandhi.

Gandhi was a true believer of “Simple Living” and completely divorced form the ugly, mean and pretty side of life. Located at the beautiful site on the bank of the river in west India, Gandhi’s house is a true reflection of his thoughts and minimal lifestyle. It gives one, the glimpse of the other side of life which is pure and serene, which cares, which sings and at the same time is receptive.

Author : Chintan Punjabi

PONTIAC GTO 1966

 

The GTO was the brainchild of Pontiac engineer Russell Gee, an engine specialist; Bill Collins, a chassis engineer; and Pontiac chief engineer John DeLorean. In early 1963, General Motors’ management issued an edict banning divisions from involvement in auto racing. At the time, Pontiac’s advertising and marketing approach was heavily based on performance, and racing was an important component of that strategy. With GM’s ban on factory-sponsored racing, Pontiac’s young, visionary management turned its attention to emphasizing street performance. In his autobiography “Glory Days,” Pontiac chief marketing manager Jim Wangers, who worked for the division’s contract advertising and public relations agency, states that John DeLorean, Bill Collins and Russ Gee were indeed responsible for the GTO’s creation. It involved transforming the upcoming redesigned Tempest (which was set to revert to a conventional front-engine, front transmission, rear-wheel drive configuration) into a “Super Tempest” with the larger 389 cu in (6.4 L) Pontiac V8 engine from the full-sized Pontiac Catalina and Bonneville in place of the standard 326 cu in (5.3 L) Tempest V8. By promoting the big-engine Tempest as a special high-performance model, they could appeal to the speed-minded youth market (which had also been recognized by Ford Motor Company‘s Lee Iacocca, who was at that time preparing the Ford Mustang).

The name, which was DeLorean’s idea, was inspired by the Ferrari 250 GTO, the successful race car. It is an Italian abbreviation for Gran Turismo Omologato, (exact translation is Grand Tourer Homologated) which means officially certified for racing in the Grand tourer class. The name drew protest from enthusiasts, who considered it close to sacrilege. The GTO was basically a violation of GM policy limiting the A-body intermediate line to a maximum engine displacement of 330 cu in (5.4 L). Since the GTO was an option package and not standard equipment, it could be considered to fall into a loophole in the policy. Pontiac General Manager Elliot “Pete” Estes approved the new model, although sales manager Frank Bridge, who did not believe it would find a market, insisted on limiting initial production to no more than 5,000 cars. Had the model been a failure, Estes likely would have been reprimanded. As it turned out, it was a great success. Pontiac’s intermediate line was restyled again for 1966, gaining more curvaceous styling with kicked-up rear fender lines for a “Coke-bottle” look, and a slightly “tunneled” backlight. The tail light featured a rare louvered cover, only seen on the GTO.

Author : Valentina Matelli