SAILING THE SEAS OF INK: VALE LOVETTE

vale lovette 1

Already impressed by tattoos at age seventeen, Valentina began learning the basics while on a trip to Spain from an artist named Manuel, who helped her become familiar with ink and needles. After that, she kept going by herself.

As a little girl, Valentina drew constantly and eventually fell in love with the work of Dante Gabriel Rossetti, Caravaggio, and Alexander McQueen. These artists helped her define her style: a modern and dynamic view of old school subjects, almost three-dimensional pieces with thick outlines and thin lines for details, enriched by precious lace, gems and pearls.

Valentina never settles down – You can find her at her new studio in Milan A la Faveur de la Nuit at Milano City Ink, at Adrenaline in Follonica and soon at Arianna Settembrino’s Skinwear and at Sara Samez’s Cherry Tattoo. Marco Annunziata

A la Faveur de la Nuit, Milano – Italy, facebook: vale lovette

Author : Marco Annunziata

BRITISH DESIGN 1948-2012

In 1948, the Olympic Games were held in London.  They symbolized the city’s emergence from its horrible damage from the bombs of World War II and its new-found optimism.  In 1953, the new, young Queen was crowned.
The Victoria and Albert Museum is giving us a sample of Britain’s best in the field of design during this period.
Britain was cool: the Swinging London of the 60s, the subversive punk of the 70s.  It was a time of innovative industrial and technological design, graphic design (those record covers), Interior design (“habitat” opened in 1964), and fashion (the mini-skirt).

The exhibition closes on August 12.  Hurry!

Judith Onan

Author : Redazione

STORIES FROM ANOTHER WORLD

helena blomqvist 1

Once upon a time…. Helena Blomqvist’s images look like scenes from a dark fairytale.
http://helenablomqvist.com/

Helena Blomqvist was born in 1975. She lives and works in Stockholm and she has just presented her works at Fotografiska during Stockholm Photography Week 2012.
She doesn’t capture the world around us, Helena’s photography built a new world using painting, digital manipulation, vintage clothes, balsa tree, diarama landscapes, pre-established models and props.
A surreal photography with haunting and strange apparitions. The main contenders of her works are unlikely heroes playing out in a comedy or tragedy, a philosophical observation of the human condition. Philosophical introspection mixed with sense of humor, dreams, desire, vulnerability, loneliness, death, the supernatural, the darkness and the cold of the night, the unconscious.
And a glimpse of hope: the water lilies, symbol of resurrection and illumination.
Blomqvist is able to create a unique world where reality and fiction melt together seamlessly.

Author : Chiara Cremaschi

ROCK ‘N’ ROLL EXPOSED: THE PHOTOGRAPHY OF BOB GRUEN

Don Letts is a cult figure in the world of arts. In 1978 he made The Punk Rock Movie and directed documentaries such as  PUNK: Attitude and The Clash: Westway to the World. He definitely has a rock ‘n’ roll soul and it’s not a surprise if he decided to shot a documentary about the legendary music photographer  Bob Gruen.  For those who don’t  know Gruen, let’s simply say that the picture of John Lennon in shades and a sleeveless “New York City” t-shirt is one of his iconic photo.  Gruen was Lennon and Yoko Ono’s personal photographer and a consummate insider who redefined the still image in rock with what Alice Cooper has described as “the ultimate backstage pass.”

Rock ‘N’ Roll Exposed: The Photography ob Bob Gruen reveals the stories  and motives behind some of Bob’s famous works, and we learn his best experiences and memories in the last 50 years of rock  music. Featuring celebrated shots of the Rolling Stones, Led Zeppelin, the Who, David Bowie, Elton John, Queen, Iggy Pop, the Clash, the Sex Pistols, Blondie, and more—alongside interviews with Debbie Harry, Yoko Ono, Julian Lennon, Alice Cooper, Billy Joe Armstrong, punk historian Legs McNeil, and, of course, Gruen himself—Don Letts’s documentary is a true page of rock ‘n’ roll history.

Details »

Author : Federica Mascagni

RALEIGH COLETTE

Take a beautiful and classic bike. Paint it with an original warm pink hue. Adorne it with a selection of parts from Velo Orange, including a Cork Grips, a Brass Temple Bell and a Wheel Stabilizer which will compensate the weight of the custom wooden front rack. And now you have a Raleigh Colette!

Jacob Redding is a designer living on Australia’s Gold Coast who recreated the Raleigh Colette as a birthday present for his girlfriend. She’s actually more than a girlfriend: they both form a creative team called Rozknob Cellar who are building an eclectic portfolio of art and commissioned design work.

Look at their works.

http://rozknobcellar.com/

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Author : Valentina Matelli

CHEVROLET IMPALA 1960

The Chevrolet Impala is a full-size automobile built by the Chevrolet division of General Motors introduced for the 1958 model year. Deriving its name from the southern African antelope, Chevrolet’s most expensive passenger model through 1965 had become the best-selling automobile in the United States, competing against the Ford Galaxie 500 and the Plymouth Fury when full-size models dominated the market. The Impala was distinguished for many years by its symmetrical triple taillights. The Caprice was introduced as a top-line Impala Sport Sedan for the 1965 model year becoming a separate series positioned above the Impala in 1966, which itself remained above the Bel Air and Biscayne. The Impala continued as Chevrolet’s most popular full-size model through the mid-1980s. Between 1994 and 1996, Impala was revived as a muscular 5.7-liter V8–powered version of the Caprice Classic sedan. In 2000, the Impala was re-introduced again as a mainstream front-wheel drive full-size sedan.

The 1959 Chevrolet Impala was radically reworked sharing bodyshells with lower-end Buicks and Oldsmobiles as well as with Pontiac, part of a GM economy move, Chevrolets rode a wheelbase 11/2 inches longer than before. Atop a new X-frame chassis, roofs sat three inches lower, and bodies measured more than two inches wider overall. The growing size contributed to increased curb weight, one more trend of the times. Its tailfins protruded outward rather than upward. Auto tester Tom McCahill, of Mechanix Illustrated, declared that a Chevy’s decklid had “enough room to land a Piper Cub.” Chevrolet eschewed the triple-taillight rear style this year with a very large, single controversial “teardrop” taillight at each side.

Right-hand drive cars were made in Oshawa, Canada, for New Zealand, Australia and South Africa and assembled locally from CKD or SKD kits. The RHD dashboard was a mirror image of the 1959 Chevrolet panel and shared with equivalent RHD Pontiac models. Australian models were assembled by hand on the GMH Holden assembly lines.

Author : Valentina Matelli

NY ART BOOK FAIR

Printed Matter, Inc. presents
THE NY ART BOOK FAIR
September 28–30, 2012
Preview: Thursday, September 27, 6–9 pm
At MoMA PS1

Printed Matter presents the seventh annual NY Art Book Fair, September 28 to 30, at MoMA PS1, Long Island City, Queens. A preview will be held on the evening of Thursday, September 27. Free and open to the public, the NY Art Book Fair is the world’s premier event for artists’ books, catalogs, monographs, periodicals, and zines presented by more than 200 international presses, booksellers, antiquarians, artists, and independent publishers from over twenty countries.
Lucy Lippard and Paul Chan are the keynote speakers for this year’s Contemporary Artists’ Books Conference—a dynamic, two-day symposium on emerging practices and debates within art-book culture. The Classroom—a curated series of artist-led workshops, readings, and discussions—will engage visitors in lively conversation all weekend long. The NY Art Book Fair will also include special project rooms, screenings, book signings, and performances throughout the weekend.
Over 15,000 artists, book buyers, collectors, dealers, curators, independent publishers, and other enthusiasts attended the NY Art Book Fair in 2011.

Hours and Location
The NY Art Book Fair is free and open to the public.

Preview: Thursday, September 27, 6–9 pm
Friday, September 28, 12 am–7 pm
Saturday, September 29, 11 am–9 pm
Sunday, September 30, 11 am–7 pm

MoMA PS1
22-25 Jackson Avenue at 46th Avenue
Long Island City, NY

Author : Redazione

HAPPINESS

Author : Redazione

SUGGESTED BY OLIVIA: WOLE SOYINKA

IN THE SMALL HOURS

Blue diaphane, tobacco smoke
Serpentine on wet film and wood glaze,
Mutes chrome, wreathes velvet drapes,
Dims the cave of mirrors. Ghost fingers
Comb seaweed hair, stroke acquamarine veins
Of marooned mariners, captives
Of Circe’s sultry notes. The barman
Dispenses igneous potions ?
Somnabulist, the band plays on.

Cocktail mixer, silvery fish
Dances for limpet clients.
Applause is steeped in lassitude,
Tangled in webs of lovers’ whispers
And artful eyelash of the androgynous.
The hovering notes caress the night
Mellowed deep indigo ?still they play.

Departures linger. Absences do not
Deplete the tavern. They hang over the haze
As exhalations from receded shores. Soon,
Night repossesses the silence, but till dawn
The notes hold sway, smoky
Epiphanies, possessive of the hours.

This music’s plaint forgives, redeems
The deafness of the world. Night turns
Homewards, sheathed in notes of solace, pleats
The broken silence of the heart.

Author : Olivia Lewit

THE HOOD BY LORENZO TRICOLI @ MILANO

Details »

Author : Gianni Romano

SPACE MAKING CRAFT

Space Making craft (SMCs), the term defines the Craft Integrated in making of Interior and Architecture spaces. Indian Space Making Craft unveils a breathtaking variety in terms of materials and techniques, owing to the rich traditional and cultural heritage of the country. Each and every Indian State has a unique crafts ranging from a variety of materials and artistic techniques which includes Wood, Bamboo, Stone, Metal,  Terracotta and so on. It has been distinguished for it’s great aesthetic and functional value.

In Many Countries, Craft in the area of Space Making has almost disappeared. Fortunately in India, these craft practices are still alive. However, Indian Craft sector faces many challenges with the change of lifestyle and new market economies. There is a need of a holistic approach towards SMCs where modern designers and traditional practices can run in unison to bring in new Innovation thereby preserving the dying craft forms.

Design Innovation and Craft Resource Centre (DICRC) at Cept University, has emerged out of this need. It was established in 2011, with a larger aim to drive innovation growth in the area of  Space Making Craft at national and International level. In order to identify, understand and re-engage SMCs, DICRC conducts research, documentation and organize programs, workshops and projects related to SMCs.

 

Author : Chintan Punjabi

JESSIE WARE > RUNNING [BREATHING 80s SWEET BEAT]

The new awesome talent discovered by Julio Bashmore.

Author : Mark-eno

FOUND BY FASHION CLICK: PAOLO ZERBINI

Paolo Zerbini is an Italian photographer  based in London.
At the age of 17 he started his trip along the USA with his camera in his hands.
Publications and clients include: i-D, Vice, Italian GQ Style, Vogue Turkey, Panorama ICON, Volt Magazine, METAL, V Man, Adidas, Diesel, Levi’s and much more
In his works there’s a young and melanchonic London. The light in his photos is warm.

You can find Paolo Zerbini’s work here  http://www.paolozerbini.com/

Author : Fabio Astone

SAILING THE SEAS OF INK: YUGI ODACHI

yugi odachi 1

While on holiday in Italy, Yuji met the Florentine tattoo master Maurizio Fiorini and began an apprenticeship at his studio. It’s been 11 years since he began training with Maurizio, Marco Cerretelli, and Alessio Ricci. Yuji claims Italians are the real masters of enjoying life, with their rich history and culture. One of his favorite tattoos is a boxer with a lampredotto sandwich in his hand.

Yuji is a great artist with a blend of eastern and western traditional styles: raw and heavy lines, plenty of black, and sparse coloring. He gains inspiration from masters such as Kuniyoshi, Yoshitoshi, Ekin, Kyosai, and Hokusai. Conventions are part of Yuji’s yearly journeys as he believes he can always learn from other artists.

You can find him either in Kyoto or in Florence at Massimo Bucci’s Gentes Scriptae. He can also be reached through Facebook. Marco Annunziata

Gentes Scriptae, Via Mario De Bernardi, 43, Firenze – Italy, facebook: yugi odachi

Author : Marco Annunziata

MERCURY COUGAR 1968

The Mercury Cougar was introduced in 1967 as the more upscale version of the Ford Mustang. It had more mature styling and upscale interior appointments and rode on a three inch longer wheelbase than the Mustang. Yet despite its greater emphasis on luxury than performance, the Mercury Cougar still managed to make its mark on the American street scene. Mercury got serious with performance with the introduction of the GT-E. It initially came with the mild 390 bhp E version of the 427 cid V8 with SelectShift Merc-O-Matic, the performance handling package, styled steel wheels, power disc brakes, a power dome, and non-functional hood scoop. The 427 equiped Cougar was nose heavy and thus suffered in acceleration runs. But later in the 1968 model year, the 427 was replaced with the new corporate 428 engine. To keep insurance agents happy, the 428 was rated at 335 bhp, although most experts believed it was closer to the same 390 bhp as the 427-E. The longer stroke 428 engine had an easier time with emission requirements and would carry the Mercury performance banner.

Also new for 1968 was a new model option, the XR-7G. The “G” stood for American racing hero, Dan Gurney, who raced for Mercury at the time. This was a one year model as Gurney left for Plymouth in 1969. The “G” package was available on any Cougar and included a fiber glass hood scoop, road lamps, a racing mirror, hood pins, and the new optional sun roof. Four exhaust tips exited through the rear valance panel and new spoke pattern styled wheels held radial FR70-14 tires. A special emblem graced the instrument panel, roof pillar, deck lid, and grille. The “G” cougars were not widely promoted and few were made and even fewer exist today.

 

 

Author : Valentina Matelli