THE LEGEND OF KASPAR HAUSER

 

The true story of Kaspar Hauser is enveloped in mystery. The teenager turned up in Nuremberg’s city centre in 1828. He had been locked up in a darkened room for years, had been neglected and could hardly talk. No agreement has ever been reached on whether Hauser, who died in 1833, was murdered or committed suicide nor has his true heritage (royal, according to some) ever been uncovered. However mysterious the real Hauser might be, Davide Manuli’s film The legend of Kaspar Hauser is a personal poetical and surreal update of Hauser’s unsolved mystery. “Hauser’s story has fascinated me for over twenty years,” says Manuli, “but not for its actual meaning. Werner Herzog also once made a film about Hauser. In my opinion it is one of his worst because he literally just tells the story. That means nothing to me. I am more interested in the spiritual, religious and esoteric implications.” In Manuli’s surreal post-western, Kaspar washes up on a Mediterranean beach of an almost uninhabited island where they try to turn him into a club DJ. On the island, he is found and received as the messiah by The Sheriff who is also a DJ. The Duchess, who rules the tiny community, feels threatened by the blond boy and sends The Pusher to fix things.

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Author : Federica Mascagni

BEASTS OF THE SOUTHERN WILD

 

Directed by Benh Zeitlin, Beasts of the Southern Wild is a magical realist tale, a poetic evocation of an endangered way of life, a touching hero’s journey and an ode to human resilience set along the mythologized part of southern Louisiana nicknamed the Bathtub. Here Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, whose though love prepares her for the unraveling of the universe; for a time when he’s no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack-temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink’s health fading, Hushpuppy goes in search of her lost mother. Shot on Super 16-millimeter film and casting nonactors, Benh Zeitlin’s directorial debut is hauntingly beautiful both visually and in the tenderness it shows toward the characters. Hushpuppy is not just the film’s heroine; she’s its soul. Beasts of the Southern Wild exists entirely in its own universe: mythological, anthropological, folkloric, and apocalyptic. Standing defiantly at the end of the world, Hushpuppy affirms the dignity of telling their own story: that they were once there.

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Author : Federica Mascagni

DIRTY OLD TOWN

 

If you are in New York and you walk down Houston Street towards the Bowery, I’m sure your attention will be catch by Billy’s Antiques and Props, a shop within a tent which is a throwback to another New York. Billy’s Antiques is a Lower East Side institution and Billy Leroy, the shop owner-biker, is a truly downtown legend. No surprise that filmmakers Daniel B. Levin, Jenner Furst and Julia Willoughby Nason were fascinated by this man, his shop and all the stories which gravitated around it. The directors first considered making a documentary about Leroy. But the more time they spent in his shop, the more they wanted to write their own story developing a narrative that imagines the end of the shop has finally come.  ”It was more exciting to think of it in terms of a narrative,” says Furst. “This tent became sort of a playground, a canvas for something fictional.” 

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Author : Federica Mascagni

MOONRISE KINGDOM

The trailer for  Wes Anderson’s latest movie, Moonrise Kingdom, is finally on line.  Starring Bruce Willis, Edward Norton, Bill Murray, Jason Schwartzman, Frances McDormand, Tilda Swinton, Jared Gilman and Kara Hayward, the film follows a pair of 12-year-old lovers as they flee their New England town in 1965.

Release is set for May, 2012.

You can watch the trailer below.

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Author : Federica Mascagni

JONAS MEKAS: SLEEPLESS NIGHTS STORIES

 

In Sleepless Nights Stories we stroll with Jonas Mekas through New York nights, through apartments, studios, backstage rooms, galleries, bars and clubs. Mekas, who suffers from chronic insomnia, creates a deeply personal visual diary, recollecting stories from his sleepless one thousand and one nights. He keeps late-night company with old and new friends who have the gift of gab, their imaginations sometimes fired up by wine and music. We meet old pals like Ken and Flo Jacobs, Yoko Ono, Patti Smith, Carolee Schneemann, Marina Abramovic, Hans Ulrich Obrist, Harmony Korine, together with brothers and sisters, sons and daughters.

“SLEEPLESS NIGHTS STORIES originated from my readings of the One Thousand and One Nights”- says Mr. Mekas- But unlike the Arabian tales, my stories are all from real life, though at times they too wander into somewhere else, beyond the everyday routine reality. There are some twenty-five different stories in my movie. Their protagonists are all my good friends and I myself am an inseparable part of the stories. The storyteller of the Arabian Nights was also part of his or her tales. Some of the people in the movie you’ll recognize, some not. The fact that some of them you’ll recognize has no bearing on the stories: after all, we all recognize John Wayne or Annette Bening, but in their stories they are no longer the people we know. The subjects of the stories cover a wide range of emotions, geographies, personal anxieties, anecdotes. These are not very big stories, not for the Big Screen: these are all personal big stories… And yes, you’ll also find some provocations… But that’s me, one “me” of many. The very question What is a story? is a provocative question”.  

The movie is a new gift from one of the greatest avant-garde filmmakers of all times, an artist, a poet, an intellectual. Mekas, who just turned 89, once said: “I make home movies, therefore I live”. There’s no doubt that once again, viewing the world through a camera, he shows us how to be alive,  catching the sweep (and beauty) of life.

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Author : Federica Mascagni

ALL WE EVER WANTED WAS EVERYTHING

Ned Wenlock  lives in Wellington, New Zealand, and  loves hot soups, simple animation and minimal design. He also likes to explore storytelling techniques which often leads to a mixture of 2d animation (for character and environment) and motion graphics (for the way in which the story flows or unfolds). In his shorts, music videos, or commercials, the graphics become an arresting narrative. Fascinated by the innovation and skill of mid century designers, Ned has a Magpie approach to design elements, taking bits and pieces he likes from just about anywhere, mixing them together to find unexpected combinations and colours that pop, and finally refining them to an essence.

Below you can watch the music video Wenlock directed for MGMT‘s cover of a Bauhaus song All We Ever Wanted Was Everything, from  the Late Night Tales MGMT compilation. It’s well worth a visit!

http://www.nedwenlock.com/

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Author : Federica Mascagni

KENNETH ANGER: ICONS

Kenneth Anger: Icons showcases the films, books, and artwork of one of the most original filmmakers of American cinema. A defining presence of underground art and culture and a major influence on generations of filmmakers, musicians, and artists, Anger’s films evoke the power of spells or incantations, combining experimental technique with popular song, rich color, and subject matter drawn equally from personal obsession, myth, and the occult. Complementing the films is an archive of photographs, scrapbooks, and memorabilia from Anger’s personal collection that illustrates the filmmaker’s unique vision of Hollywood’s golden era. The inspiration and source material for the filmmaker’s infamous celebrity “gossip” books Hollywood Babylon, (1975) and Hollywood Babylon II (1984), the collection centers on stars such as Rudolph Valentino and Greta Garbo, as well as now lesser-known icons like silent-film actress Billie Dove. The world of the classic studios and the mystique of its major figures radiates throughout the photographs, press clippings, letters, and memorabilia on display, which Anger has gathered across many decades.

The exhibition will be on view at MOCA Grand Avenue through February 27 , 2012.

MOCA Grand Avenue, 250 South Grand Avenue, Los Angeles

Image above: Kenneth Anger, still from Scorpio Rising, 1964

Author : Federica Mascagni

INTO A WORLD OF IMAGES: ISAKI LACUESTA

 

Considered as one of the most promising and eclectic Spanish cineaste, Isaki Lacuesta was born into a family of Basque origins in Girona, Spain, in 1975. He has been experimenting with several film genres since his earlier works, exploring the multi-faceted forms of the visible and often breaking the boundaries between artifice and reality, between fiction and documentary, and between filmed image and synthesized image. His work with and on the image has developed in the course of time, but is based on a conviction that challenges the notion of ‘pure’ cinema according to which literature, painting, or music would be successive additions. For Lacuesta short films are the ideal ground for experimentation, research and for the encounter of several gazes rooted in the persistent necessity of searching for the new.

The short 2012 exposes the ambiguity of reality once it is turned into an image through a set of portraits of a woman, taken in different moments of the year. Yet something is colliding, as the year is 2012… Una vez filmé a la mujer que amo. He repetidos aquellos planos…filmando a otra mujer, a la que no sabría amar. No sé si alguien verá la diferencia.

 Make sure to keep an eye on the guy. Here at Elitism we’ll do!

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Author : Federica Mascagni

SER Y DURAR

 

Democracia is a collective formed by the Spanish artists Pablo España and Iván López, whose strong interest for socially and politically relevant themes leads not only to artistic interventions, but also to editorial productions and curatorial projects.  For their most recent work, the video installation Ser y Durar (To exist and to persist), Democracia has collaborated with a group of young traceurs, asked to perform their discipline, the parkour, inside the Civil Cemetery in Madrid. Political personalities, intellectuals and various protagonists of the country’s democratic society in the pre-Franco era, are buried there.

Originated in France in the early 1980s, the parkour consists in overcoming any kind of obstacle on a particular course, adapting one’s own body to the surrounding environment. In Ser y Durar the artists use visual communication codes that are typical to this juvenile subculture: hiding the faces of some of the traceurs at the beginning of the video, the use of the subjective camera or of wide pan shots, the slow motion and the so-called matrix effect, to emphasize the acrobatic sequences.

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Author : Federica Mascagni

URS FISCHER, A DOCUMENTARY BY IWAN SCHUMACHER

I love Urs Fischer’s work. His visionary approach to reality. His way of combining the ordinary and the extraordinary, mixing the opposites and inventing new worlds. Throughout his work, with ambitious gestures and irreverent panache, Fischer explores the secret mechanisms of perception, combining a Pop immediacy with a neo-Baroque taste for the absurd. Born in Switzerland in 1973, and now based in New York, in the past the artist has created sculptures in a rich variety of materials including unstable substances such as melting wax and rotting vegetables. In a continuous search for new plastic solutions, he has built houses out of bread and given life to animated puppets; he has dissected objects or blown them out of proportion in order to reinvent our relationship to them.

Urs Fischer by Iwan Schumacher is a documentary produced on the occasion of Fischer’s first USA museum solo exhibition at the New Museum in New York. The film reconstructs the creative path of the artist. The images of the preparation for the American event, which he orchestrated as a global artwork, interweave with those from previous shows in Venice, London, Sydney, Zurich and Shanghai, and with dialogues with the artist himself, with his collaborators and with Massimiliano Gioni, curator of the museum. The documentary is an interesting portrait of the artist at work, but it is also an insight of all the work, passion, pressure and dedication behind the scene of an exhibition.

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Author : Federica Mascagni

RUN FOR YOUR LIFE

 

 

The countdown has begun. The NYC Marathon is ready to start. If you want to get in the right mood,  Judd Ehrlich’s documentary Run for Your Life is something for you.

The film chronicles the story of Brooklynite Fred Lebow, avid runner and mastermind behind the creation of the Marathon. Lebow is a legend, an inspiring figure, a true American icon. He fled his Orthodox home in war-torn Europe and found his calling when he brought together a group of runners for the first Marathon in Central Park. In 1976, Lebow took the race through all five boroughs, uniting a divided city and sparking a worldwide fitness boom. He spent his life for the Marathon, yet he only ran thorough the five boroughs once, as the world looked on, in an unforgettable race against the odds.

Using archival footage and exclusive interviews with athletes and politicians, Ehrlich shows us how this special man ran New York, united a city and inspired millions to do the same. It doesn’t matter who wins. The important thing is to participate, sharing and experiencing a unique moment, being part of a whole. So, let’s go. ‘Cause baby, we were born to run

http://www.fredlebowmovie.com/

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Author : Federica Mascagni

CHILDREN WHO CHASE LOST VOICES FROM DEEP BELOW

 

Makoto Shinkai’s latest animation, Children Who Chase Lost Voices from Deep Below (Hoshi o Ou Kodomo, which in Japanese language  literally means “Children Who Chase Stars”) is a magic journey to a hidden universe to say “farewell”, experiencing both the cruelty and the beauty of the world.  The picture tenderly deals with the part in all of us that wishes we could have had that last opportunity to say goodbye to someone we’ve lost. Makoto Shinkai noted that most of his works in the past decade were stories about characters who have to part ways with those they hold dear, but this time he wanted to take that theme further dealing more specifically on how to overcome that loss.

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Author : Federica Mascagni

CHAMBER CINEMA: ZAPRUDER FILMMAKERSGROUP

Zapruder Filmmakersgroup was formed in 2000 by David Zamagni, Nadia Ranocchi and Monaldo Moretti. Their research creeps into the interstitial area between visual, performance and cinematographic arts; audiovisual outputs driven by an ongoing challenge to language and medium that give rise to what the group defines as “Chamber Cinema”, a sort of incarnated and tactile cinema, as well as a form of disembodied theatre. Since 2005, Zapruder has been exploring and applying stereoscopic techniques to the production of films and of installations that recover 3-D cinema techniques. The group designs and builds both rediscovery and application of stereoscopic techniques. Zapruder’s independent and carefully crafted approach, combined with a coherent and radical experimentation, makes their use of 3D a necessary and never secondary choice of language, with a specific influence on the temporal dimension of the image. In the production of projects of expanded cinema, the group invite the spectator to plunge into unsettling tactile, visual and sound abysses. 

Zapruder has also been involved in important collaborations with Italy’s most prominent experimental theatre companies, including Motus, Fanny&Alexander and Romeo Castellucci / Societas Raffaello Sanzio.  Their work has been regularly shown at leading international festivals and art venues.  Their web-site, zapruderie.com, is a totally anaglyphic on-line gallery showcasing excerpts from their stereoscopic production.

 http://www.zapruderie.com/

 Image above: ZAPRUDER, SPELL. The Hypnotist Dog, 2011

Author : Federica Mascagni

LONDON SURF/FILM FESTIVAL

 

Free spirits, surfers, adventurers, sea lovers, this is something for you.

The first annual London Surf/Film Festival hits the U.K. Hosted at the iconic Riverside Studios,  the Festival is a celebration of the cream of contemporary surf culture bringing together film, art, photography and lifestyle from waveriding’s most exciting creatives. The event showcases the surfing’s best feature films, documentaries and independents plus the pick of short film productions from Britain and  Ireland’s homegrown talents.

London Surf / Film Festival is a we are the fold production. we are the fold is a collective of surfers, writers, photographers and cultural commentators dedicated to preserving and communicating the spirit of surfing.

October 13th-14th-15th, 2011

Riverside Studios, London

http://www.londonsurffilmfestival.com/

Author : Federica Mascagni

SHIT YEAR

What happens when a renowned and successful actress, turns her back in favor of a secluded life in the hills? What when we stop being passionate, the out­side world recedes and all we are left with is what’s inside of us?

In Shit Year American director and photographer Cam Archer (class 1982) cap­tures a state that we can all pass through at some point in our lives. At his second long feature film, after the 2006 debut Wild Tigers I Have Known which was executive-produced by Gus Van Sant, this time Archer tells the story of actress Colleen West, (played by an intense Ellen Barkin), who fears she has only ever lived through the characters she has played. Her retirement leaves her flustered and in the arms of a young actor she falls for. Reality becomes inseparable from unhinged obsessions in a hallucinatory struggle to accept her own vul­ner­a­bil­ity and to reclaim herself.

The hypnotic trailer is just beautiful: a rush of stunning black-and-white 16mm photography by cin­e­matog­ra­pher Aaron Platt and a collage of frenzied sound effects, narration and music. Don’ t miss it and let’s keep yourselves together!

http://www.camarcher.com/

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Author : Federica Mascagni

THE LIE

 

You might have already heard about Joshua Leonard.  He displayed great natural acting talent in films as varied as The Blair Witch Project, Humpday and, most recently, Higher Ground.  Back in 2008 he also directed together with Aaron Rose the DIY movement documentary Beautiful Losers which featured Shepherd Fairy, Mike Mills, Harmony Korine and many other inspirational artists and creators.

The Lie is Leonard’s first long narrative feature. Based on a T.C. Boyle short story that first appeared in the New Yorker, the film centers on  a man who tells a lie to get out of work that inadvertently changes his life. 

The movie is a dark comedy, a candid, yet charming look at how a seemingly harmless and momentary lapse of judgment can lead to life-altering calamity. Taking us on a journey of self-discovery, Leonard investigates what it means to be an adult, and the steps we all take to get there…eventually.

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Author : Federica Mascagni

THE TASTE OF LIFE: POULET AUX PRUNES

elitism

Paulet aux Prunes is a tale of life and death, courage and passion which explores the complexity of the world and the mysteries of the human soul. It is the cinematographic adaptation of Marjane Satrapi’s graphic novel by the same title, published in France in 2004.

The adaptation is a live-action written and directed Satrapi and Vincent Paronnaud, who worked together back in 2008 for the acclaimed animation Persepolis.

Set in Iran during November 1958, Poulet aux Prunes tells the story of Nasser Ali Khan, Satrapi’s great-uncle, an Iranian musician who gives up his life for music and love. When Nasser Ali Khan (played by Mathie Amalric) discovers that his tar, his beloved instrument, is irreparably damaged, he takes to his bed, renouncing the world and all its pleasures. Over the course of the week that follows, he has flashbacks to his childhood, and flash-forwards to his children’s future. And as the pieces of his story fall into place, we begin to understand the breadth of his decision to let go of life.

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Author : Federica Mascagni

JESS+MOSS

Jess+Moss is a movie about the preciousness of youth and all of its disasters.

At his debut film, director Clay Jeter portrays the solitary life of Jess (Sarah Hagan) and Moss (Austin Vickers), two second cousins who live in the rural Western Kentucky and begin to share the same fears and goals as they both enter the next stage of their adolescence. Without immediate families that they can relate to, and lacking friends their own age, they only have each other. Over the course of a summer they venture on a journey exploring deep secrets and hopes of a future while being confronted with fears of isolation, abandonment and an unknown tomorrow.

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Author : Federica Mascagni

BURNING GREECE AND WASTED YOUTH

 

 

 

“Some films are made with a sense of urgency. With such films, it is now or never. Wasted Youth is most certainly one of these films.” Argyris Papadimitropoulos, Jan Vogel.

Wasted Youth a film with a soul. Wrote and directed with a small budget by Argyris Papadimitropoulos and Jan Vogel and filmed in a documentary style, it  portraits a hot summer day in Athens.  The city burns because of the weather but it also burns from its own inside: a city which is dealing with a difficult  social, political and economic situation. Here a sixteen-year-old skater (Harry) and his friends are amusing themselves. Here a middle-aged man (Vasilis) struggles to take care of his family, through a work that he hates and mounting stress, until their lives intersect.

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Author : Federica Mascagni

PINS

 

Pins is a short independent, super 8 mm film co-wrote and directed by Australian filmmakers Jessica Barclay Lawton and Rosalie Difelice.

It’s the story of a relationship to the moment where the only thing left to do is to decide whether to walk or to hold on.

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Author : Federica Mascagni

ALICE IN WONDERLAND

Surely everybody has a visual memory of Walt Disney’s 1951 classic animation Alice in Wonderland… If you feel safe with this reassuring childhood memory, be ready for a new kind of experience.  James Fotopolous’s new feature  length film, Alice in Wonderland, is an adaptation of the 1886 musical Alice in Wonderland: A Dream Play for Children by Henry Saville Clark and Walter Slaughter and it is something you don’t expect.

Fotopoulos (Illinois, class 1976) is an unique filmmaker who makes dark, low-budget, cerebral and often impenetrable works.  Inspired by a 2003 Lewis Carroll daguerreotype exhibit, his Alice’s adaptation is a stream of consciousness, a trippy blend of modern digital filmmaking and classic art of the late 19th century.

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Author : Federica Mascagni

SUPERSTARS DON’T LOVE

 

 

Freelance designer and animator Travis Hopkins is also quite adept when it comes to directing short films and music videos, as shown in Canadian hip hop artist BUCK 65’s latest video, Superstars Don’t Love.

The video is a tribute to old movie posters and grindhouse films. It is comprised of 60 fictional movie title cards inspired by the lyrics of the track. It is well worth a visit. Don’t miss it!

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Author : Federica Mascagni

THE IMPORTANCE OF BEING A BEGINNER

You are never too old to be a beginner. No matter if it is a relationship, a career, a new life, or just a new way of seeing the world. That’s the premise of Beginners, the latest film by Mike Mills.

No need to say who Mike Mills is. His films and design work have dominated the visual landscape of the past two decades, through record covers and music videos for bands like Air, Blonde Redhead, Sonic Youth and Beastie Boys, movies such as The Architecture of Reassurance (2000), Paperboys (2001) and his first feature-length film, Thumbsucker (2004). Beginners is the first movie he has both written and directed.

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Author : Federica Mascagni

SUBMARINE

Submarine is a delicate little coming-of-age drama. Written and directed by Richard Ayoade and adapted from a novel by Joe Dunthorne, it’s  a dark comedy about a lovelorn teenage boy (Oliver Tate, played by Craig Roberts) who lives in 1980s Swansea.

Ayoade’s film absorbs the influences of Wes Anderson and Michel Gondry, and it joyfully plays with reminiscences and conventions of the French New Wave. The director, at his long feature debut,  combines bone-dry comedy with genuine emotion, striking the right mix of youthful romance and rebellion, without getting sentimental. Beautifully punctuated with songs by Alex Turner (of the Arctic Monkeys!), Submarine has revealed a new fresh voice in British cinematography.

The movie also stars Noah Taylor, Paddy Considine, Sally Hawkins and Yasmin Paige.

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Author : Federica Mascagni

LINDSAY LOHAN-A RICHARD PHILLIPS FILM

“Lindsay has an incredible emotional and physical presence on screen that holds an existential vulnerability, while harnessing the power of the transcendental—the moment in transition. She is able to connect with us past all of our memory and projection, expressing our own inner eminence.”  Richard Phillips

American artist Richard Phillips has chosen Lindsay Lohan as the protagonist of his first short film. In his 90-second motion portrait of Lindsay Lohan, Phillips draws on the conventions of his painting that explore the legacies of classical portraiture in relation to the mediated representations of contemporary popular culture. The film depicts Lohan in a number of classical poses, with references to iconic moments in film, such as Brigitte Bardot in Jean-Luc Godard’s Contempt, or the searing psychosexual interplay of Bibi Andersson and Liv Ullman in Ingmar Bergman’s Persona.

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Author : Federica Mascagni

SOMEWHERE TO DISAPPEAR

“This film is about men, Alec Soth and the dream to disappear”

Somewhere to Disappear is a documentary by young filmmakers Laure Flammarion and Arnaud Uyttenhove which explores the inner urgency to run away. For two years Flammarion and Uyttenhove followed world-renowned photographer Alec Soth on his journey across America. For his project Broken Manual, Soth travelled across the States documenting people who have retreated from society, runaways  who have chosen to escape in search of themselves and a different life.

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Author : Federica Mascagni

MOURIR AUPRЀS DE TOI (TO DIE BY YOUR SIDE)

Mourir Auprès de Toi (To Die By Your Side) is a short stop-motion animation created by Spike Jonze and Simon Cahn, with original handmade felt characters by  Olympia Le-Tan, whose work as a designer revolves around recreating classic book titles as fabulous handbags.

As the night falls, in an old Parisian bookshop the characters of book covers on the shelves wake up. Mina (Dracula’s bride) and the skeleton of Macbeth fall in love…

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Author : Federica Mascagni

APICHATPONG WEERASETHAKUL: PRIMITIVE

 Apichatpong Weerasethakul: Primitive  will open at the New Museum in New York on May 19.

It will be the first New York show devoted to the work of the internationally acclaimed Thai artist and filmmaker Apichatpong Weerasethakul. His most recent film Uncle Boonmee Who Can Recall Past Lives won the Palme d’Or Prize at the 2010 Cannes Film Festival.

Primitive (2009) is his most ambitious project to date: a multi-platform work consisting of an installation of seven videos and related pieces. In conjunction with the exhibition, Weerasethakul will also be in residency at the New Museum, participating in a series of public screenings and conversations.

The exhibition will be on view from May 19 through July 3, 2011.

 http://www.newmuseum.org/

Author : Federica Mascagni

THE FUTURE ACCORDING TO MIRANDA JULY

We don’t need too many words to describe Miranda July: she is simply awesome.  Filmmaker, artist, writer, performer, in 2005 she directed her first long feature film: Me and You and Everyone We Know, a little jewel which won four awards at Cannes and the Jury Award at The Sundance Festival. Since then, she’s written a collection of short stories, No One Belongs Here More Than You, created the online project learningtoloveyoumore, a storytelling website that remains online as part of the San Francisco Museum of Modern Art, and made an interactive sculpture garden for the 2009 Venice Biennale. Now she is back with a new movie, The Future, which was presented  at the Sundance and the Berlin Festivals and will be on general released from July 29. In the film July casts herself as one-half of a couple whose lives are turned upside down by the imminent arrival of a new pet, the cat Paw-Paw…

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Author : Federica Mascagni

BEAUTIFUL DARLING, CANDY

Needless to say who Candy Darling was. She is was  symbol of a liberation of sexes that came much more later.  A piooner , An invented creature, a mix of Kim Novak and Marilyn Monroe . Candy was maybe the first example of living work of art.

Beautiful Darling is a documentary that premiered last week in Us and that we hope to see soon in Europe. For those who loved her madly and for those who will.

http://www.beautifuldarling.com/

Author : Redazione